since 1996 when he started working for >dms< distribution and at the >imports recordstore< in darmstadt greg parker is a part of the elctronic music scene. at the end of the 90ies he became member of the house scene in the area around darmstadt through djing. in 2002 he took over the recordstore, renamed it to >smoove records< and became resident dj at the house club >room 106< where he met terry lee brown junior. afterwards a close friendship developed that inspired parker since 2006 releasing records. support by terry lee brown junior, the timewriter, alex flatner, nacho marco, stryke

outland records proudly presents the debut release by two very young dutch lads who call themselves loops. they have already gained much attention the past few months with their stunning live-performance, creating mayhem everywhere they play. luckily the gents found some time to record two uberfunky floorfilling tracks which will please both dj and crowd when played out loud. tuner is one hell of a groovy piece with nice breaks and vocal snippets which will get you dancing your ass off. what the song 16, maybe 17, maybe 18 is all about we dont know (you figure it out), we do know that this track will get the people to move their butt to the dancefloor.

lets remixer speak! >it was great to be asked to do this. originally, i wanted to do something really quirky and funky with the strange vocal in human bond, one of my favorite old tracks. i tried a few times but i couldnt really get a vibe going in the funk realm. so i listened to the original over and over again and then the lightbulb turned on. i realized that the original was a monster rave track, like what you would hear in a warehouse in detroit in the 90s. so i threw out my original idea and went crazy with a huge techno builder, something to hype a big rave just like the original. maybe this doesnt sound exactly like what i usually do but that was the fun of making it< claude vonstroke. aa: >bounce your body to the box was one of the first kms records that i owned and it was all about the mike >hitman< wilson mix and force field on the b side. the production on the original was huge. the 909 groove just pounded everything... when that came out there was nothing that came close to it. so it was an honor and a challenge to mix it myself. first came the futurist bounce mix... not released on vinyl, anmerkung, ... which is more of a cover version than a remix. i had a lot of fun with this one but it definitely has a signature that steps away from the original. so i had to take a run at it one more time to pay a proper homage to the original with the flashback mix< mike shannon...

just when we think hes exhausted his stockpile of secret weapons!! heres another duo of killer edits from mr mang!! ray mang better known to his buddies as raj gupta is the behind the scenes guy who has had a hand in some of the uks finest discoid moments ever released! a plethora of releases on labels like noid, fiasco, u star, nuphonic etc etc have cemented his reputation as an amazing producer in his own right and engineer extraordinaire for the likes of the idjut boys & many more. the newly revitalized mangled label has given us an excuse to unleash these classic re edited and totally remastered cuts into the community.

scaring us all the way from sofia, bulgeria spatula city is proud to present to you the technologically advanced technique of the one like the kink. snapping off his first spatula city release with three dancefloor scorchers, this record is not to be missed. jigga is just a straight up bassline balancing act that just drives. on dat funk and check he collaborates with eclectic vocal stylings of austin, txs j.a.m.o.n. both tunes are jump up flex on the floor devastators. kinks techy vibe and robotlike control over j.a.m.o.n.s vocals creates a sound unlike any other artist in the scene. his tech savvy jack infused style cannot be compared to. just when you think one of these tunes is going off the deep end, it turns around and jacks you right in the face! and...just for funks we had kink add two accapella tools which are super easy to mix and sound great over any jackin beats.

der thal is been playing all over germany and hes been trying to build up his own sound and skills. after making a great remix of reynolds track >craft< on trenton 027 he is now giving us 3 great tracks for a full maxi. mentona ep is a bit of a journey into what trenton use to be about at the very beginning with a techno that is very close to the old school detroit vibe… in der thals music there are a lot of melodic sounds and tough tight beats to keep us on the ground. >mentona< and >maszo< are floating on air with strings and synth lines when >puston< reminds us more of some >tejada< grooves! a great ep anyway from der thal who is definitely on the way to become one of these great young gifted producers that care about music mainly.

since their first releases on circus company and milnormodern the 3 mousketeers achieve to impose themsleves on the scene with their unik touch. the band is clement zemtsov on beat programing, damien vandesande on keyboards and horns at last but not least, jonathan illel is warmly laying the lyrics. after having produced hip-hop instrumental for a few years they got into house music after meeting nicolas from nôze. one year and a half later they come up with between the blues ep, a brilliant first ep on circus company. then the guys several eps on other labels like orac or eklo. they also start touring a lot across europe and eastern countries. this new record is called blanche neige (snow white) as the lead track of the ep. all the lyrics from it are taken from the original text written by jacob & whilelm grimm back in 1812. .blanche neige is declined in two different versions. on the a side comes the original mix is the dancefoor cut. slower house beat, solid groove, surround by a marvelous chior. while the break show upreading the first lines of snow white in french. let me just tell you that when the break is over you should fasten your seat belt before a nice take off… the first track on b side is romeo. this track was produced by dop and nôze. once again all the lyrics are taken from a book. here its from .romeo and juliet written by william shackespeare. this track perfectly represent the alliance of both bands. the unik saxophone skills from damien vandesande the one man horn section, a wonderfull piano ride by nôze and the sexy voice of jonathan illel. an acoustic house blaster ! the ep is finaly closing down on b2 with the pop version of blanche neige called >kinder cut. there comes the deepness

ruede hagelsteins the modest theme has proven to be one of souvenirs most provocative releases so far. released in the summer, the tracks dramatic horn hook is so epic it belongs in a science fiction film and as a piece of forward thinking techno, it ranks among one of souvenirs best. now the track is back with a remix from souvenir spearheads tiefschwarz alongside a new track from berlin based ruede. semikolon is another dark and dubby deep tech-housy outing for ruede that begins with a dramatic spoken word by naneci and ominous organ stabs. as the track progresses it takes on a chicago house vibe re-imagined at 10am in the panorama bar. an urgent bell begins to ring through the track raising the tension as the vocal intones a surreal chant before giving way to huge synth stabs that lead the track into a slow motion emotional explosion. just when things can get any more hectic the crescendo sinks to silence compressing the energy before the beats emerge back in their earlier deep house guise. ali and bast schwarz take their turn at remixing the modest theme fresh from their incendiary remix of emad kamandians kamanche for souvenir 012. the signature dramatic horn riff remains albeit injected with new percussion lending the track a tough tech house appeal that places it within the context of 2008s underground house sound. both tracks are another addition to souvenirs impressive collection of music aimed at the head just as much as they are at the heart and feet.

killer two tracker !! thirtyonetwenty presents a new artist to our growing roster of international talent. fabio giannelli takes us to the carribean with the wonederfully titled trinidad e taboga, lumber up & limbo down to this tribal floorfiller killer, a solid pumping mammoth that keeps pace until the delay soaked breakdown adds another dimension, when the beats drop back in, the crowd is rocked to the maxx. madrugada on the flip is a massive hypnotic chicago styled jack monster .. solid, reliable & liable to destroy any floor where its dropped.. now.drop down give me twenty.. work that body cmon now

the 4th installment of the sounds superb series explores further the possibilities of randomness. this time its a bit more on the stoner tip. lots of editing and messing with the turntable pitch control to generate the depth and exitment we love so much when sampling. we liked it so much that we had to include 20 min. short radio mix of conservation of momentum.

here we go. the second >home sweet home sessions< lies upon the table! that means: upon you is celebrating its second anniversary and is looking back on another successful year. again- this fine compilation puts together a selection of the members of the inner circle of production, with whom theyve been sharing the nightlife and the love to electronic dance-music. they all belong to the berlin techno-scene and will not miss being there when it comes to the new-years edition of their favourite perspiratory gland- work exhibition: the >home sweet home afterhour”< in the arena club to berlin on january 1st 2009. as diverse as the musical accents on this party are, the tracks will present themselves alike- comfortably labled and sinfully one next to another

perc trax returns with its 2nd in the pots & pans series, this time around with tracks from misc (sender / klang / resopal), simone tavazzi (analytictrail/perc trax) and oscar (karateklub / lordag). ruling over the a-side are german techno overlords misc, who when not recording for berlins sender imprint spend their time as niederflur for richie hawtins all conquering m_nus. >modern times< is build on rolling ercussion grooves, a jabbing bassline and a number of short but effective breaks.

hertz is back in bussiness and prooves it with this 25th release on his own special imprint. 25 is the magic number and a taste of the future with his new partner in crime petter b! solo they belong to the top techno producers of the world, imagine what happens when these guys team up! wicked techno loops straigth for the floor.. incredible sharp beats and tasty sounds and edits. a great 25th aniversary release for all the fans

on the a-side we find the original version which sounds like a classic italo disco tune in the 2008 tuned version. a tribute to the melodic italo dance songs of the 80ies. passarani s mix goes where the italo tradition meets the chicago house school such as the hotmix 5 crew and he spiced that up with sharp production and powerfull jacking beats to make this a anthem for the summer of 2008! this track created a big, big stir at the panoramabar when it got played there recently... check!

made to play brings the noise with the sounds of wearhouse music and head honcho lee mortimer. lee mortimers exciting, sleazy, demented take on house has been kicking the sh*t out of dance floors and festivals the world over. this e.p is not for the faint hearted but is for those who like to rock a big crowd in a ballistic way. when jimi hendrix played not just one but both sides of it at woodstock in the 70s the place went off its tits and when he reverted back to playing the guitar it just couldnt compare and he never quite got over that. lee mortimer is currently reveling in mass support from the likes of switch, claude vonstroke, diplo and kriss akabusi who apparently likes to play these tracks as a post love ritual, naked and chanting awooga! round the camp fire he has in his bedroom. if you want to embellish the feeling of either hendrix or akabusi in the primes of their existences then get stuck into this release and youll feel like a combination of the two peaking on acid.

all around the world dancefloors will be crying hugging and simply howling in disbelief when this beauty is dropped. tunes like this dont come along very often. you have been warned dmc update 5/5

darkos productions have attracted the attention of djs from all over the world. his remix of the title track of nina mirandas (smoke city) album shrift in 2005 was one example, earning him critical acclaim when the remix reached the top 10 in the us download charts. more recently mr rakas has joined darko and his strange worlds collective. together they have embarked on a musical mission, blending deep minimal house and techno with eastern european romani gypsy jazz. simplicity is the operative word best to describe this release. the over sexed sax solo of sexaphone (a one take wonder performed by ben hadwen) takes house music to a new level, whilst danote on the other hand reflects on the hypnotic repetition of the hook, building a solid groove around a repeating synth line, appearing here in two versions, the stripped back extended mix and the more immediate club edit. another great release from the up, coming and one to watch label universal vibes.

franco cinelli, one of the most gifted new producers coming out of argentina, presents here six uncompromisingly quirky club bombs. his previous releases on milnor modern and telegraph have just warmed you up to his sound. now dive in to >profundo amor< and get familiar with these intricately programmed club stompers. you can call it minimal, but when these tracks go ripping through a big pa, thats the last word that will be on your mind. with the opening track >flog<, you get a taste of the freaky after-hours grit that alphahouse records is becoming known for. >m26< is a robotic hair-raiser for the new generation. think minus on steroids. >twisted machine< features a stompy groove and some snare work to drive the dancefloor. >vertientes< is a great dj-tool with a low-slung bassline and dancing synths. >c3d< bounces along with a razor bassline and some tricky transitions. and >project 64< finishes off the lp with a synth line that falls out of the ceiling and straight onto the dancefloor. truly inspiring stuff here, from franco. no filler tracks. all of these are a-sides

slobodan takes us back to 2002, when techno was pumping and kicking like there is no tomorrow ...

1988 collection live classics, coops and rare cover versions!! limited double 12inch vinyl gatefold edition!!

this is quite simply one of the most glorious records you will hear this year. it would be easy to lazily reference it against classic period rephlex/planet mu stuff (oops, i just did!), and indeed it appears to share some of the same heritage (even going so far as to feature a remix of rephlex artist global goon in its tracklisting) - but chris leary aka ochre is obviously a man on his own mission. gorgeously lush, but at the same time super-funky…as electronic as kraftwerk starring in a remake of tron, yet somehow as pastoral and organic as edward elgar…much like his label-mate ed chamberlain, leary manages that tricky task of being supremely technical in his programming and arrangements, but without losing the heart and soul of the music amidst all the studio trickery. you know that old chestnut often said when referring to vintage or classic music, >they dont make them like that any more<? well they do…and here it is! simply fantastic.

well, the summer festival season is near its end, time to bring you some of the raw stompers that youve been dancing to this season! greg notill and i will strike down upon thee with great vengeance and furious anger: if there ever was a famous movie quote to capture the pure essence of the friendly frenchmans track it would be this line from pulp fiction. fierce beats, frantic percussion and even some acid influences. this one has it all! motormorfoses eto and gab, the devistating duo from brazil are now operating from spain and though the name may have changed, the output remains the same. pure relentless beats and power! after opening their track with an electro type bassline and some nice broken beats, pure havoc kicks in soon as the beat drops. hardtrax half of the hardtrax vs. jackhamma liveact and the german bridge between hardtechno and hardcore techno. the dark force recordings co owner comes up with an intriguing brew of raw beats, precise positioned percussion and an 80s type of choir sound that will simply blast you away!dj ogi the torch holder of the croatian techno scene recently spawned us with numerous strong releases on labels such as submissions and cannibal society. we are pleased to say he maintains this line and even raises the bar a little by incorporating some oldschool elements. bet you cant control your feet when you hear this track

re-jigging the classic andy weatherall production, smoke belch sabres 2 paradise re-crafts the 1993 anthem into a tough tech house groove more suited for the modern dancefloor. demand for this bootleg has been growing since last december when a handful of copies were passed out to key tastemaker djs

when ibizas dream theme and cult djs of the island cesar de melero, tuccillo and dj pippi come together for a production called «el amor es mas», you can be sure, that it will be something with an unmistakable balearic sound and groove. in fact here we go with the first release of this 3 musketeers on purple tracks with a selection of various mixes to choose including a jamie lewis remix for the darker room

big one! spins from mandy, sebo k, dyed soundorom, glimpse, rob mello, jennifer cardini, adam beyer, anja schneider, h.o.s.h, ripperton, konrad black, martin landsky, afrilounge, dorian paic, matt tolfrey, kiki, mathias tanzmann, jimpster, nick curly, david k, eric borgo, okain,… ‘junkyard funk’ was one of the seminal house albums to come out of the uk in 2000. masters of the deep groove clive henry, also resident at dc10, and justin drake are one of the most respected duo’s in house music with over 10 years experience in the business. whilst many contemporaries have fallen by the wayside peace division have remained at the forefront of underground house. following 2007’s seminal ‘soft heavy’ ep for crosstown rebels, 2008 has seen them release a second coast 2 coast compilation for nrk and the critically acclaimed ‘the lab’ ep on tsuba. part 1 of ‘junkyard funk reconstructions’ sees jamie jones and rozzo update the classics. jamie jones has always been heavily inspired and influenced by peace division so when the opportunity arose to remix the seminal ‘bu4t’ he was more than a little excited. the result is his biggest remix to date.

nice price deal !!! hailing from japan free disco moved to london two years ago and brought with him an ear for deep music. already an accomplished composer, record collector and disco selector when he sent out a demo of his new recordings it wasnt just electric minds that took note but also new yorks rong music where he will release later this year.. the a side >psychedelic symmetry< is a fast paced track made for the dance floor. heavy bass through out which is bound to find favor with the house heads as well as the lovers of the nu disco sound. the b side >hippe can dance with boogie< leans towards the cosmic with a spacey sound accompanied by live bass and keys.for this project we have commissioned our first remix with stevie kotey. kotey chose to remix >hippe can dance with boogie< creating a spacey disco excursion. he has added live percussion, new drums and replayed the synths so the full treatment from one of todays finest remixers

ah, its time for some eerie minimal techno again. dry, percussive, hypnotic, trippy. when sunday turns into monday and the week starts exactly like the last one ended – on the dancefloor, propelled by a thumping bassdrum. dima is a bar 25 regular and has released on beatsreet (another berlin institution of endless afterhour journeys) before. this one is his bar 25 debut, tried and tested on various occasions and legendary sasomo moments. his four tracks dive deep into a nocturnal techno habitat, where percussion- sounds fade away in the twilight and the groove just won’t stop. there is no way out, just give in to its pleasures

2003 classic double vinyl album by robsoul head honcho phil weeks!! a must have

simon baker & jamie jones have been long time dj s in england s underground electronic music scene, who have within the last couple of years emerged as respected producers and have seen their works signed to labels such as crosstown rebels, 20/20 vision, freak ‘n’ chic, poker flat, cocoon, get physical and connaisseur just to name a few. kaskazi is their first collaborative effort and proves their individual strengths are even more formidable when unified in the studio. the three versions of kaskazi all invoke a different mood and style, but still retain that jubilant flavor of the original that caught the ears of m.a.n.d.y. and dj t. early in the summer. praise has come from all corners of the dj spectrum, as the combination of a galloping funk fused bass line, with the infectious vocals and clever effects have erupted many club dance floors into a frenzy.

ltd repress.. incl remixes by arman van helden, demon, archigram and dyrt

brill slammin phunky electro rocker.. ltd backstock

big with kevin gorman, heiko laux, richard bartz and laurent garnier,... !! romance is overrated, peters 4th 12 on kanzleramt, is symbolizing the simplicity of having some fun with friends. look up shows how vast the skies can be, leaning towards house at 123 bpm. the flipside is powered up with the energy peter is creating when playing his live-sets, tech on 127 bpm. meanwhile, peters debut album evolver recently was re-released by intergroove along with remixes by johannes heil & zander vt on 12. also the evergreen birth, peters 1st appearance on kanzleramt, has just been used by danny tenaglia on his latest mix-cd on tommy boy

leghau was born in montelimar in 1988, small town in south of france. involved in and passionate about music from a very young age, leghau discovers electronic music in montpellier s night events when he was 17. he is a techno/minimal dj & composer, his influence comes from piemont to paul ritch or through andrea roma & the traum label. leghau s production released on different label (flicker rhythm music, fassade recordings, kritical noise records & tongut)!

mondo welcomes this latest release from one half of production duo a/b project - steve anderson with his huge new single neve. big support on asot by armin van buuren, and theres a huge buzz from fellow peers and fans surrounding the track. neve is a unique track that steve has both solely produced and performed the vocals for. its a sentimental trancer, with full on emotion and uplifting energy, so expect some serious dance floor action when this is dropped!

surkin and bobmo are high powered boys. what do you get when you pair up two of the most hotly tipped young dance producers in the game? straight up ghetto house, with a healthy disregard for good taste and lofty ideals. its here and now music, fast and furious tracks!!

limited to 500 copies, coloured vinyl !! one of detroits most respected names, mike huckaby serves up a floor burning epic with his s y n t h mix. it opens up with killer shards of metallic chords, coloured in deep analogue emotion until the last second when a kick nearly explodes and drops low end so sinister your heart may skip a beat. this well crafted array of tone could only come from mikes expert use of the legendary waldorf wave synthesizer, with his timeless rendition of juans classic this is destined to be legendary. after the smoke clears were transported into ambient territory with intrusions lengthy 18 minute ambient voyage. the textures fade into pantone colours before opening up into a silvery lo-fi sonic palette, a sort of slow motion metamorphosis you could only compare to the works of thomas köner or wolfgang voigts, gas project. this is love in lo-fi

supported by dubfire, davide squillace, rino cerrone, mark henning, mihalis safras. naples based artist gianni pellecchia, well known for his releases on loose or minisketch, with his first solo ep on bauns music onda tape has a deep, liquid atmospheric feel. the lead bass rotor and the easy rhythmical line of muler creates a sonoric winding which culminates when a darkness laugh sample breaks off the pause to restart shaking heads. powerful! allergico is a well done example of drum embedding and sound de/construction. a funky techno bay with coloured melodic reefs! mnemonic has an excellent hypnotic minimal groovin tech style, organic beats meets mindsweeping melodies, and the dark laugh crosses the reef again. a pure dope for your escaping from chaos. thats onda tape!

excellent cosmic space disco electro

itamar sagi from the be as one label really made a name for himself with his black gold track that was released earlier this year. inspired by the warmer and more emotional side of detroit techno he very much captured something real and true in that song which certaintly paid off in the end. here he has done something a bit different. not less good though. actually better. this is a record for those moments when you need to increase the pace but still wants to keep the soul. perfect!

originally released 15 years ago on strictly rhythm when djaimin teamed up with vocalist crystal re clear this is the first part of mixes in 2007 feat swiss producer jamie lewis and the groove assassin on remix duties

for those who thought these remixes would never see the light of day, here they are and let me tell you something : they re hot !! the a-side features swag s hot gloves remixed by bakazou (aka pete herbert). pete s on fire right now and he came up with an awesome italo-disco monster. it s like an apollo space ship: it gets higher and higher and when the original bassline is finally released people go crazy. tried and tested on discerning crowds – success is guaranteed! already licensed to ralph lawson s next fabric mixed cd ! the b-side is equally good, albeit in a different way . swag s hot shoe shuffle dub sounds like those fantastic hypnotic disco dub mixes straight outta 80s nyc. so put on your dancing shoes and get down to the boogie sound

our music is a secret order. but we are not rich powerful men in suits planning how to get even richer. nor are we dressing in capes performing occult or religious sermonize. we are no elite trying to separate ourselves from others. no, we are ordinary down to earth people. what unites us is that we live and breathe music. it is our passion and our drive. and it has been like that since we discovered that music must be an expression of the human soul. or as jason fine puts it: in my opinion, making deep music is not possible without a strong internal connection between the user and their feelings. ultimately the end product is a reflection of what the user was feeling while making the piece. i think its important to listen to your creative flow and respect it -- i dont try to make music when im not feeling it, because guaranteed the result will be bad. it all boils down to what im feeling at that particular moment in time when i create a piece. with these words we welcome you to the first full length album release on the kontra-musik imprint - our music is a secret order (louis armstrong, 1954). producer is greatly talented newcomer jason fine, who released his debut ep on omar-s fxhe label last year..

hertz presents his brandnew release for the fall of 2008. the man himself shows us once again what an excellent producer he is. perfectly engineered and mixed resulting in a cristal clear sound. heavy kicks, acid like sounds on the a-side that reminds us a bit of the megasmashing hit recreate on reloop. groovy and uplifting all the way, in typical hertz style, with all his experience he knows how to make the crowd move! the flip is of equal strength and turns a wicked bassline into a crazy grooving track. building and building to the climax, you can hear the crowd screaming for more when played in any dj-set! hertz stands for pure quality and you know it!

inflicted welcomes another hot newomer on the label, jan fleck! turn red is sven wittekind most fav. track at the moment! this track comes with a real heavy beat and some church bells before the breakdown is rolling over the floor with his sweepy piano melody, which is changing into a nasty synth after some seconds. when the beat is coming in again, there is no holding back for everyone! >i don t care< is a freaky fresh hardtechno track, with a good arrangement and nice vocalcuts! the breakdown in this track is pushin the dancefloor to the peaktime limit! >my descent< a nice compressed loop combined with a heavy baseline synth. making his way in the minds of the bassline lovin technoheads! >epic< is another huge track on this release! a great hardtechno loop makes his way to one of the best breaks ever. sweepy stabs bring you an evil baseline combined with a amazing dnb/breakbeat loop before the well done hardtechnoloop strikes back!

a fresh addition to the moodmusic roster but a longtime veteran in the house-scene, alexander maier aka dj all*star from stuttgart is well known from his earlier releases on buzzin fly, exun and criminal records. he began his career playing underground techno in south of germany but over the years became more and more influenced by detroit and chicago house. you can hear these influences on sahara in both the rain and river version. deep and reduced grooves with enough soul and atmosphere, yet fully functional for the floor, sahara rain kicks in with a heavy bass sequence building a perfect platform to be followed by the synththeme which hit s the peak hour perfectly. i see some hands going up here already… sahara river starts more housey, building a classy, low-slung huge groove with perculating synths and almost tribal feel to the drums. the modulating synths lifts the track to new heights with a break of superbly layered twisted pads before the drums kick back in in full effect. as this would not be enough we asked our thrusted chicago connection and alexs buddy, mazi aka audio soul project to remix sahara rain. if you consider people who s been in the biz for some time mazi is one of the warriors of the sound, never choosing the easy way but thrustfully following his true way of house music. and house it is, classic but cleverly updated to 2008 with a twist of so-cal thrown in for good measure. bouncey and jacking is the words which comes into mind when hearing this, excellent work and a another bomb for the hot months to come

ncl. remixes by gino & snake! supported by: stephan bodzin, oliver huntemann, pascal feos, lemos, butch, kolombo, steve bug, hennon, the glitz... etc. apropos apricot - some unknown ladys apricot colored dress simply flapped away when andreas first new bass line left the speakers. it was the tunes premier and, needless to say, quickly became its name. we hereby thank ms apricot - who had a fruity booty, too! also, a close friend named rikardo was part of the team that magical night… and oh well, he sure liked her, she liked him back - and soon the follow up was born! thumbs up for prorikardo!

the latest release from persistencebit headquarters, comes with a killer single-sided, single-track ep, serving the brilliant donnacha costello remix of >cobra< by rolf and fonky (italian djs and producers mirco uguccioni and maurizio ottavi). and donnacha does it again, what he does best – delivering strong low-riding techno grooves. costello, who is no stranger to the electronic music world, with his sought after releases on mille plateaux, releases on kompakt & his colour series on his own minimise imprint, brings as fine echoing claps over a steam-driven shuffle move, letting the intensity escalates when a house feel seeps into the tracks hammering pulse, after which a gradual wind-down brings the lights down to help ease the hooded snake to sleep on this remix. the track is a pure dance floor sweeper in full effect, cut and mastered for optimal dj friendly use

a 2002 classic! experimental atmospheric traxx by andreas tilliander!

arctic monkeys were already massive way before they inked a deal with domino in june 2005. people obsessing over the songs? sold out gigs full of stage diving nutcases. hardcore fans pressed up against venue windows, just hoping to catch a glimpse such checkpoints have all been ticked. the boys may share a love of the smiths, the clash and the jam, but in no way were the monkeys ready to simply regurgitate the well trodden brit rock path.